Farewell To Juliet

from The Phantom Tollbooth

by Titi Ala'ilima

Farewell to Juliet
Grace and Dire Circumstances
Marathon Records
Time: 13 tracks, 56:51

After five years and a bout with band mitosis, Farewell to Juliet is back with their second album, Grace and Dire Circumstances. No sophomore jinx here. The cover depicts a butterfly beset by flames; grace under fire, as it were. These guys certainly display that with this new album. [The band's] debut record, Echoes of Laughter, made quite an impression on those of us fortunate enough to have heard it. Even so, this latest installment displays obvious development on all fronts.

[FTJ] have maintained their characteristic sound: melodic, with a penchant for punching out some good rock and roll. They wear their Choir influence on their sleeves throughout, most notably with a cover of "Chase the Kangaroo." With some additional lyrics by [guitarist and producer] Jeff Elbel, the band take the song in a whole new direction - one which, I must admit, I find more accessible than Steve Hindalong's original. This song could perhaps be the heart of the album, expanding on the album title in these verses:

One thing that stands out in particular is the improvement in the match between words and music. Elbel's lyrics on the first album sometimes seemed less fit for singing than for reading, owing to their phonetic complexity, but this tendency has since been shed. The lyrics for "Thermostat," Elbel's reflection on stardom in light of Kurt Cobain's suicide, still tie the tongue a little, but the content and style of the song support, yea, demand such a delivery: A good example of the marriage of music and words is "Justice," lead singer Brant Hansen's advice to his then-newborn son. I heard a very early live version of this song recorded a few years ago, and it has aged very well. It begins by rattling off a series of admonitions, with a rousing rock music ride, but evolves into a lullaby; a spoken-word blessing on the sleeping child, with a quiet heart-beat drum pattern.

The band displays a great deal of versatility [vis-a-vis] mellow, poppy numbers like "Browning's Pearl," jumpy rockers like "Bittersweet," and songs like "Seconds Count." [The latter] opens with a cool, bass-driven groove that would do Tim Chandler proud, and ends with a heavy metal jam session. [Farewell to Juliet] cover the whole range with both passion and skill, and make this album well worth tracking down.

Review by Titi Ala'ilima (8/20/98)


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